改变历史的男人不胜枚举，但改变历史的女人却屈指可数。历代王朝，风云变幻，有在政坛上纵横捭阖的女王，也有在战场上浴血奋战的女将。她们身处的朝代各不一样，身份和地位也亦不相同，但几乎都凭一己之力，力图扭转乾坤，改变历史的车轮走向，在整个人类的历史上留下了深深的烙印。这些伟大的历史女性有：古埃及的托勒密王朝最后一任女法老--埃及艳后克利奥帕特拉七世；英法百年战争中的法兰西民族英--圣女贞德；驾驭了英国45个动荡春秋的英格兰与爱尔兰的女王--伊丽莎白一世；俄罗斯历史上唯一一位被冠以“大帝”之名……

A masterclass in mood, the film plunges us into the darkness of the blackouts that ripple across Cuba. In the murk of shadow, the flickering of fire beckons stories from realms beyond the reach of light. Electricity cuts have revived a protest movement dormant since the revolution, one demanding that power be restored. 　　源自：https://iffr.com/en/iffr/2024/films/history-is-written-at-night

在海外服役的美军中，大约共有两万三千名女兵。从本世纪初的阿富汗和伊拉克战争爆发以来，她们有的不幸沦为战俘，有的受伤，阵亡的也有五十多名。战争中的女兵所要承受的艰难，远远超过男军人，尤其是那些家有孩子的母亲。虽然通常的服现役时间均在一年左右，但在这一年多时间里，没有了妻子和母亲的家庭会因此而受到严重的影响。在这一集纪录片里，四位即将结束服役期的女兵分别讲述了回家前后各自的生活和感想，以及她们的家人对妻子服役所发表的评论，影片中不乏感人肺腑之场景，是一部温馨的家庭纪录片。

Jotuomba的每个居民长久以来都扮演者自己分内的角色。一如每个早晨，玛德莲做好面包，带去安东尼奥古旧的咖啡店，两人照例吵嘴抬杠。这山城里的时间似乎停滞不动，所有事物的流转，拥有着自己的节奏，在此即是永恒。直到年轻女摄影师丽塔抵达，变化，终于随着她的快门，开始产生涟漪。

汉族小学生阳阳，意外结识来自新疆的维族转学生艾力。两个孩子虽属不同族裔，却能一起玩乐，也能分享心底对父母的不满，有着许多相似心情。然而，父亲的严词警告和社会的固有思维，像是一道无形的围篱，默默影响着阳阳的内心，当艾力邀请阳阳参加维族节庆，他能否突破隔阂加入他们呢？

汉族小学生阳阳，意外结识来自新疆的维族转学生艾力。两个孩子虽属不同族裔，却能一起玩乐，也能分享心底对父母的不满，有着许多相似心情。然而，父亲的严词警告和社会的固有思维，像是一道无形的围篱，默默影响着阳阳的内心，当艾力邀请阳阳参加维族节庆，他能否突破隔阂加入他们呢？

Our film focuses on Italian author, art critic and feminist Carla Lonzi (1931–1982), founder of the first Roman feminist group Rivolta Femminile in 1972, and her role in 　　the international feminist revolt of the 70s/80s. It drafts the notion of new feminist 　　historiographies by tracing histories unwritten and by opening to date uncharted 　　archives: at the core of its narrative resides Lonzi’s unfinished project on Les Précieuses, a French proto-feminist group active in the 17th century. It is this project our film wants to revisit in an attempt to complete it in a speculative manner, thereby connecting a remote part of the feminist history with possible feminist futures. Adjacently, a tentative lineage in feminist thought towards the present is mapped through a re-staging of an iconic photographic volume titled La strada più lunga by feminist photographer Maria Grazia Chinese from 1975 in the garden of the Casa Internazionale delle Donne in Rome

Our film focuses on Italian author, art critic and feminist Carla Lonzi (1931–1982), founder of the first Roman feminist group Rivolta Femminile in 1972, and her role in 　　the international feminist revolt of the 70s/80s. It drafts the notion of new feminist 　　historiographies by tracing histories unwritten and by opening to date uncharted 　　archives: at the core of its narrative resides Lonzi’s unfinished project on Les Précieuses, a French proto-feminist group active in the 17th century. It is this project our film wants to revisit in an attempt to complete it in a speculative manner, thereby connecting a remote part of the feminist history with possible feminist futures. Adjacently, a tentative lineage in feminist thought towards the present is mapped through a re-staging of an iconic photographic volume titled La strada più lunga by feminist photographer Maria Grazia Chinese from 1975 in the garden of the Casa Internazionale delle Donne in Rome

莉莉、韦斯莱夫人、麦格教授、贝拉特里克斯、纳西莎、乌姆里奇、金妮、卢娜、赫敏……让我们来听听作者和演员们对这些女性角色的看法。

莉莉、韦斯莱夫人、麦格教授、贝拉特里克斯、纳西莎、乌姆里奇、金妮、卢娜、赫敏……让我们听听作者与演员们怎么谈论这些女性角色。